The Odissi dance is the Indian classical dance from the Eastern state of Odissa.  It has a long, yet broken tradition. Although dance in Odissa may be traced back more than 2000 years, it was brought to near extinction during the colonial period.  Therefore, modern Odissi dance is a reconstruction.

There are a number of characteristics of the Odissi dance.  The style may be seen as a conglomeration of aesthetic and technical details. One of the most characteristic features of Odissi dance is the Tribhangi. The concept of Tribhang divides the body into three parts, head, bust, and torso.  Any posture which deals with these three elements is called tribhangi. This concept has created the very characteristic poses which are more contorted than found in other classical Indian dances.

The mudras are also important. The term mudra means "stamp" and is a hand position which signifies things. The use of mudras help tell a story in a manner similar to the hula of Hawaii.

There are a number of musical instruments used to accompany the Odissi dance.  One of the most important is the pakhawaj, also known as the madal.  This is the same pakhawaj that is used elsewhere in the north except for a few small changes.  One difference is that the right head is a bit smaller than the usual north Indian pakhawaj.  This necessitates a technique which in many ways is more like that of the tabla, or mridangam.  Other instruments which are commonly used are the bansuri (bamboo flute), the manjira (metal cymbals), the sitar and the tanpura.